#lindarandazzo Tristan Honsinger realizzato durante un concerto organizzato da Curva Minore - contem

#lindarandazzo Alessandro Librio realizzato durante un concerto organizzato da Curva Minore - contem

#lindarandazzo Alessandro Librio china su carta 2013

#lindarandazzo Ernst Glerum durante un concerto di Curva Minore - contemporary sounds 2011

#lindarandazzo Ned Rothenberg realizzato durante un concerto organizzato da Curva Minore - contempor

#lindarandazzo Tristan Honsinger realizzato durante un concerto organizzato da Curva Minore - contem

Francesco Pantaleone china su carta 2013

#lindarandazzo Gunther baby Sommer realizzato durante un concerto organizzato da Curva Minore - cont

#lindarandazzo Alessandro Librio realizzato durante un concerto organizzato da Curva Minore - contem

#lindarandazzo Giovanni Sortino matita su carta

#lindarandazzo Francesco Romeo china su carta 2013

#lindarandazzo Vito Stassi penna su carta

#lindarandazzo studio per un ritratto di Letizia Battaglia matite su carta 2015

Francesco Lauretta acqarello su carta 2018

Angelo Crazyone china su carta 2013

Manlio Sacco penna su carta 2013 Penna su carta

Alessandro Bazan china su carta 2013

#lindarandazzo Andrea Di Marco matita su carta 2013

#lindarandazzo Marco Leone Barone Saccardi matita su carta 2013

#lindarandazzo Gianni Gebbia penna su carta

Luigi Antonio Presicce matita su carta 2020

#lindarandazzo Filippo Giuffrè penna su carta

#lindarandazzo Francesco De Grandi 2013

Rori Palazzo china su carta 2013

#lindarandazzo ritratto del Principe Francesco Alliata di Villafranca, penna su carta 2012

#lindarandazzo ritratto del Principe Francesco Alliata di Villafranca, penna su carta 2012

linda randazzo , Peppino Impastato 2013

#lindarandazzo Ludwig Josef Johann Wittgenstein 2018

#lindarandazzo ritratto di Friedrich Wilhelm Nietzsche matita su carta 2013

#lindarandazzo ritratto di Sigmund Freud 2013, matita su carta 2013

#lindarandazzo ritratto di Carl Gustav Jung, matita su carta 2013

#lindarandazzo Gilles Deleuze per locandina Anassimandro, festival di musicofilosofia 2018

#lindarandazzo ritratto di Arthur Schopenhauer china su carta 2013

#lindarandazzo Daniele Ciprì tecnica mista 2011

#lindarandazzo Giovan Battista Guccia china 2011

#lindarandazzo Mimmo Cuticchio china 2011

#lindarandazzo Antonio Pagliaro tecnica mista 2011

Linda Randazzo, Mimmo Cutiucchiuo

#lindarandazzo Salvatore Sciarrino tecnica mista 2011

Linda Randazzo, Leonardo Sciascia

#lindarandazzo Leonardo Sciascia china 2011

 



Palermo is tied hand in glove with the painting culture and that is an undeniable fact. Often along this ties there are knots, sailors’ ones and firmly made in the art, most of them are nooses, so the stronger the pull of the current, the stronger the knot tightens around the object to which it is wrapped. In addition there are many and varied junction knots. Linda is also creator and victim of these nodes, shakes them often, with titanic force, until the fibres of the cord tend to be damaged. The tangled knots, however, are increasingly busy and to find a hypothetical Ariadne 's thread is a deed that Linda tries to accomplish. The artist in the guise of a modern Theseus, in the maze floor of the canvas, violently clashes with the Minotaur, the archetype of one of the possible forms of human identity, an identity ancestral subjected to the "logos", logical ability, intelligence, reason; looking for a way out of that would be saving, therapeutic. This is I think the subtext of the cycle of portraits Linda has produced in recent years, a representation of the drama of self-consciousness and confusion of everyone in front of their encounter with consciousness, a Minotaur which access to that “logos” is been denied which is now nothing but a worn out knot. But beyond this analysis of "mythology", the portraits made by Linda eagerly allow us to attend (and / or be subjected) to the violent processes, most of the time away from the form and terms prescribed by law, of such processes each failure is recorded with care, leaving ample room for discretion to the most humid, mouldy and subterranean ravines of the human soul. The artist, relying a use of creamy colours powders and varnish, with cynicism returns such humid moisture. However, whether it is a real data or a fairy tale made excuse, to Linda the pictorial means is a movement of emanation of individual reality from the supreme principle. Federico Lupo